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ABOUT

GENERAL INFORMATION

Held every two years, the Tokyo Biennale is an international art festival that sets the city of Tokyo as its main stage. The festival aims to dig deep into the city, as it is created together with the area’s local citizens, as well as a wide variety of artists and creators from around the world.

Name

Art Projects Originating in Local Areas of Tokyo Tokyo Biennale 2025

Theme

Wander for Wonder

Period

Friday, October 17, 2025 – Sunday, December 14, 2025

Venue

Main Venues (2 venues): Toeizan Kan'ei-ji Temple, Etoile Kaito Living Building
Exhibition Areas (6 areas): Ueno/Okachimachi Area, Kanda/Akihabara Area, Suidobashi Area, Nihonbashi/Bakurocho Area, Yaesu/Kyobashi Area, Otemachi–Marunouchi–Yurakucho Area
* Exhibitions are held in historical buildings, public spaces, shops, and unused properties across each area.

Organizer

General Non-Profit Incorporated Organization Tokyo Biennale

Endorsement

Taito City, Chuo City Tourism Association

Special Support

Ishibashi Foundation

Support

Arts Council Tokyo (Creation Grant)

Sponsor

Mitsui Fudosan Co., Ltd., Mitsubishi Estate Co., Ltd.,
Daimaru Matsuzakaya Department Stores Co, Ltd.,
FUJIFILIM Business Innovation Japan Corp.

Corporate Partner

TOKYO DOME CORPORATION

Special Cooperation

Toeizan Kan’ei-ji Temple, Etoile Kaito & Co., Inc.

Cooperation

NTT East, Ebihara-Shoten, Otemachi First Square Co., Ltd., Tokyo University of the Arts, East Japan Railway Company

Subsidy

日本博 JAPAN CULTURAL EXPO 2.0

Japan Arts Council / Agency for Cultural Affairs, Government of Japan

MESSAGE FROM
THE GENERAL PRODUCER

To dive into Tokyo (the city)
and engage deeply with society (people)

The Tokyo Biennale is a “social dive” type of international art festival that we build together by diving into various areas across Tokyo to discover the unique traditions and characteristics inherent in the people who live there while creating new values.

The theme for this running of the biennale, “Wander for Wonder,” describes our attempt to create a new form of “wandering” that brings us together softly and gently as we focus on points like “with whom” and “where” we wander.

Despite our world’s state of rising tension, even if we are strangers, the physical act of walking alongside someone becomes an opportunity to get to know each other, fostering our interest in the city and its culture to form the seeds of interaction. We wish to cherish the miraculous moment of “wandering together” considering our city of Tokyo that has nurtured a rich townscape upon its burnt ruins following events like the Great Kanto Earthquake and World War II. Most notably, it is important that we do not forget the existence of our foundational culture with its layers that include the city’s lifestyle, wisdom, faith, government, entertainment, and townspeople culture. Today, these are inconspicuously alive in every corner of the city and are important cultural resources that have the potential to become the soil for new creation. Using art projects, the Tokyo Biennale 2025 will take on the challenge of carefully picking up these hidden aspects of Tokyo’s foundational culture and connecting them to the future.

In doing so, through the imaginations and methodologies of artists, we will explore the potential of expression by intentionally wandering and actively taking detours around Tokyo. These art projects that weave new relationships through “wandering” will softly connect the city and people.

For example, when visitors go to see works like the installation at Toeizan Kan'ei-ji Temple, which is welcoming its 400th anniversary, or the artworks that are subtly placed in the city’s “gaps”, through casual exchanges between the scenery and people that happen along the way, discoveries await them that can only be made here and now. I invite visitors to stop and take a look when they come across something interesting. Here, they may find an unexpected moment that opens their heart.

By diving into Tokyo through the presentation of 14 exhibition venues, a diverse range of works by 37 participating artists, and a variety of “wandering” programs, the Tokyo Biennale 2025 will give rise to alternative art projects that connect deeply with the city.

Masato Nakamura
General Producer, Tokyo Biennale 2025

TOKYO BIENNALE 2025 THEME

Wander for Wonder

Freedom of movement and spirit, to and fro between the everyday and the extraordinary, traversing history—walking has brought mankind many benefits since ancient times. For modern urban dwellers living in constrained space and time, the act of “taking a walk” is becoming increasingly valuable.

Looking at the recent history of art, since the 1960s, artists have used their own bodies as a medium and expanded the practice of walking to reinterpret the world. Yoko Ono, Bruce Nauman, and Vito Acconci all successively turned "walking" into artworks, while Hamish Fulton continues his Walks series to this day. Walking has come to develop into a diverse range of expressions, including On Kawara's I Went, in which he inscribed his daily movements on a map with red lines, Richard Long's land art, Marina Abramović's walk along the Great Wall of China, works by Janet Cardiff that reconstruct cities aurally, as well as the numerous projects by Francis Alÿs. Gabriel Orozco, an artist who walks through cities around the world, seems to treat the city as his studio, with the moment of discovery itself becoming a kind of work for him. Following in the footsteps of these artists who have transformed the city into a place where art is generated from the moment of walking, the Tokyo Biennale 2025 will consider a walk as creation itself and the city as a place of expression, putting on exhibitions and projects that welcome people to “Tokyo” as an art studio for playing, wandering, detouring, encountering, contemplating, and discovering. While appreciating creative acts by each of the participating artists right in the city, the audience will have the opportunity to turn toward their own creative acts.

The aim of this art festival is to construct a circuit that will allow us to rediscover and share the latent resources in the city through the smallest act of walking against the backdrop of “Tokyo” as an enormous text. This biennale presents an opportunity for everyone to become somebody who creates while walking in the city, opening a new public horizon through the wonder that is brought by wandering.

Curatorial Member, Min Nishihara

TEAM

General Producer

Masato Nakamura

Artist. Tokyo University of the Arts professor. General Director of Tokyo Biennale 2020/2021 and 2023. General Director of Chiba City Arts Triennale 2025. Director of 3331.

Curetrial Member

Susumu Namikawa

Copywriter, poet, and programmer. Executive Creative Director at dentsu Japan.

Hiroyuki Hattori

Curator. Associate Professor at Tokyo University of the Arts. Director of the Aomori Contemporary Art Centre (ACAC), Aomori Public University.

Min Nishihara

Curator and clinical psychotherapist. Co-general Director of Tokyo Biennale 2023. Associate Professor at the Department of Intermedia Art, Tokyo University of the Arts. Director of Akita City Culture Creation Center.

Supervising Producer

Shinobu Nakanishi

Architect. Former Deputy Director of The National Museum of Emerging Science and Innovation (2015–21). Director at IDEAL COOP since 2021. Visiting Professor at the Future Vision Research Center, Tokyo University of the Arts since 2024.
Administrator
Yumi Shishido
Assistant Producer
Yuko Morita
Project Manager
Miwako Ishikawa
Project Coordinators
Chiyono Ishimoto, Tokito Sugiura, Ayako Norimatsu, Hinako Murotsu
Communication Director
Susumu Namikawa
Art Director
Tomonori Ozaki
Editorial Director
Shinuchi Uchida
PR Director
Yohei Nemoto
PR manager
Akiko Nose
International Liaison
Daniel Baburek
Website Production (GYOKU Inc.) inc.)
Yuta Kuda (Director), Masaru Sakihara (Director), Mitsunori Morita (Designer), Kazushige Nakayoshi (Front-end Engineer), Shintaro Nakano (Front-end engineer)
(As of July 17, 2025)