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RRR OFFICE Sub-rent Program #7: Grafis Huru Hara

A Children’s Workshop and Barter-based Exchange Activity! Grafis Huru Hara (GHH) is a collective of graphic artists based in Jakarta, Indonesia. Founded in 2012, the group focuses on exploration, experimentation, and education in the medium of printmaking. In 2018, together with ruangrupa and Serrum, GHH co-founded Gudskul, an ecosystem for contemporary art and collective learning. They collaborate with a wide range of artists and collectives, engaging in exhibitions, printmaking workshops, publishing projects, and various other activities.   SubliMash: Kids Collage Print Workshop Sublime Collage with Grafis Huru Hara Let’s create your own original Christmas gift using DTF (sublimation) printing! Combine artist-designed graphics freely and use an iron to transfer vibrant images onto tote bags or handkerchiefs. It’s easy to make by hand and perfect for everyday use. Join us and create a heartfelt gift that symbolises care and friendship!   Date & Time: Dec 7 (Sun), 13:00–15:00 Target Age: 6–15 years old Elementary school children must be accompanied by a parent or guardian. How to Participate: No registration is required. Please come directly to the venue and let us know you’d like to join. Duration: The workshop takes approximately 15–30 minutes per participant.   Notes An iron will be used during the workshop. Young children should work together with their parent or guardian. If the venue becomes crowded, you may be asked to wait for a short time.   BARTERIN: Exchange Space “Butsubutsu Kōkan (物々交換)” “There is no fixed price—only mutual agreement” Barterin is a participatory public program proposed by Grafis Huru Hara (GHH) for Ebihara Shoten, functioning as an experimental space for non-monetary value exchange. In this program, GHH presents printmaking artworks that are not sold with money, but can be acquired through a system of barter — exchanged with objects, materials, experiences, stories, or personal items brought by visitors. This program creates a direct interaction space between artists and visitors, where negotiation becomes an essential part of the artwork itself. The value of each artwork is not fixed, but is determined through negotiation based on interpretation, need, memory, and even humor, turning every exchange into a social and performative experience.   Program Format 1. Exhibition of Works: Dec 4 (Thu) –7 (Sun), 11:30–16:30 (until 15:00 on the 7th) 2. Barter Session; Dec 7 (Sun), 15:00–17:00 Visitors may negotiate directly with the artists about the terms of exchange. Negotiations will be recorded as part of the archive. 3. Display of Exchanged Items: Dec 11 (Thu)–14 (Sun), 11:30–16:30
Upcoming 12/04/2025 - 12/07/2025 / Ebihara Shoten
  • Other

RRR OFFICE Sub-rent Program #5: Group Exhibition "Knot | Kawaii Witches"

Group exhibition “Knot | Kawaii Witches” presents a collective installation as part of the RRR sub-rent program. Emerging from their ongoing practice that began with “Whispers of the Kawaii Witches,” the collective shifts from performance to spatial presence, exploring the intersections of material, emotion, and technology. “Knot | Kawaii Witches” is a process-oriented collaborative project bringing together artists from South Korea, Austria, and China, working across installation, sound, fabric, and digital imagery to examine how care, resistance, and healing intertwine through the shared metaphor of the knot. #gallery-2 { margin: auto; } #gallery-2 .gallery-item { float: left; margin-top: 10px; text-align: center; width: 33%; } #gallery-2 img { border: 2px solid #cfcfcf; } #gallery-2 .gallery-caption { margin-left: 0; } /* see gallery_shortcode() in wp-includes/media.php */ Reference image:Bian Ka Reference image:Hyejeong Yun Reference image: JOHANNA RIEDL Artists Bian Ka Born in 1998, based in Tokyo. Supported by Otsuka Pharmaceutical and Tobe Maki Foundation. Earned an MFA in Fine Arts from Joshibi University of Art and Design Graduate School in 2024. Attended Tokyo University of the Arts, Faculty of Fine Arts, as a research student from 2022 to 2023. Having lived in multiple countries since childhood, BIAN KA’s practice focuses on the theme of “boundaries.” Since moving to Japan in 2020, she has worked primarily in installation and mixed-media, exploring contemporary issues related to technology and ethics, the boundaries between reality and virtuality, and the nature of subjectivity. Through experimental use of materials such as metal, glass, and AI, she investigates the interactions between humans, the environment, and the digital realm. Linktree Instagram: @bianka78770   Hyejeong Yun Yun is an artist based in Berlin. Her work explores societal dynamics within hegemonic power structures through personal narratives. She analyzes social structures, creates allegorical connections, and deconstructs colonial myths through moving images, installations, and performances. Yun‘s practice engages her body, voice, language, and poetry to map political landscapes, focusing on intersectional identities, decolonization, and the collective memories of migration.She is the founder of Heisse Maroni and a member of the Asian Feminist Studio for Art and Research (AFSAR). https://yunhye.de/ Instagram: @hyejeongyun_   Johanna Riedl Riedl is a media artist who engages with video, sound, and sculpture. By means of performative interactions, the work broadens the scope of technology in society, redefining its role and presence. This approach gives rise to generate opportunities at the intersection of nature and technology. Johanna fosters an atmosphere of contemplation, emphasizing a critical perspective on research and creation, shifting the focus away from solely calculated strategies. Audiences are encouraged to explore the coexistence of technology through rituals, while sculptures themselves take on a social role, becoming integral components of a collective consciousness. https://jhnsi.com/ Instagram: @jhnsi____   Curator Li Jingwen (SEIBUN) Li is an independent curator based in Japan. With a background in sculpture and media theory, she explores the relationship between technology, spatiality, and the body through curatorial practices. Her work focuses on alternative communities and the young generation, engaging in projects that bridge emotional immediacy and contemporary relevance. She is the founder of the artist residency “D-O-U Narimasu” and has been involved in initiatives such as Upload AIR, The Colossus, and the collective Datsuijo. https://lijingwen.icu/ Instagram: @celiamo_
Ended 11/20/2025 - 11/24/2025 / Ebihara Shoten
  • Public-production
  • Other

RRR OFFICE Sub-rent Program #4: Lily Onga

RRR OFFICE approaches gathering as both methodology and theory: an open practice that uses presence, conversation, and shared time as tools for collective making. Each encounter contributes to the formation of the work, slowly transforming Ebihara Shoten into a site of exchange and resonance. It runs its own program, but also opens to others through a sub-rent approach.   The week’s participant in the sub-rent program is Lily Onga. Starting from Ebihara Shoten, a century-old former clothing store, Lily Onga wanders around Kanda’s Yanagihara street to record memories of people’s activities in old and new shops, shrines, kindergarten, and dwellings by observing, interviewing and recording by filling in the paper forms found in the very own place with drawings. It is not quite scientifically accurate as photographs, but it is pretty accurate as human’s memories. From 14 (Fri) to 16 (Sun) November the artist will be staying on-site to create new works. Previously created pieces will also be on display, so please feel free to stop by!   Artist Lily Onga Born in 1997 in Bangkok and now based in Tokyo, Lily began her career in book design before expanding into illustration and animation. Using colored pencils, clay, wood, receipts, boxes, eggshells, and found objects, she collects materials like a crow drawn to shine—turning everyday fragments into imaginative worlds. Her work blends comic-like expressions, receipt graphics, and playful design twists, revealing an artist endlessly fascinated by the beauty and absurdity of daily life. http://lilyonga.com/ Instagram: @Lilyonga
Ended 11/13/2025 - 11/16/2025 / Ebihara Shoten
  • Other

RRR OFFICE Sub-rent Program #1: Slekke Wørld

RRR OFFICE approaches gathering as both methodology and theory: an open practice that uses presence, conversation, and shared time as tools for collective making. Each encounter contributes to the formation of the work, slowly transforming Ebihara Shoten into a site of exchange and resonance. It runs its own program, but also opens to others through a sub-rent approach. Sub-rent means the space can be usedindependently by artists or local communities, creating open-ended forms of participation. Sub-rent allows others to use the space freely, while respecting house rules and collaboration agreements. Through this, we want to explore: RADMIN, gathering, and translocal methods. How social and community projects can grow in Tokyo. How trust and collaboration can help create space. Making use of spaces that are often overlooked.   The first participant in the sub-rent program is Slekke Wørld. On Sunday November 2nd at Ebihara Shoten, Slekke Wørld presents an audiovisual installation which is part of their ongoing project Water Based. Since 2022, they are researching the significance and role of ephemeral graffiti in different urban locations around the world. Water Based is a process-oriented experimental project synthesizing field recording, site-specific interventions, participatory post-graffiti and video.   Artist Slekke Wørld Slekke Wørld was born in Belgium and lives in Oslo, Norway. Their work includes art, curation, and cross-disciplinary collaboration. They synthesize tools and rituals from gardening and graffiti through a variety of media such as performance, installation, and site-specific interventions. Carving out space to make tangible things which transcend societal labels and constraints, connecting with processes of deep change and transitions in life. They investigate self-organized dissemination via small-press and video and alternative exhibiting approaches such as off-site and online. Slekke is a member of the Tenthaus collective since 2019, and a member of the GRAA collective since 2022. Since 2018 they annually perform a participatory spring ritual with Bart Van Dijck. https://slekke.com/
Ended 10/30/2025 - 11/07/2025 / Ebihara Shoten
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