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TOKYO BIENNALE 2025

ARTISTS

"Re-sortir," 2024, Tokyo Dome City. Photo bu Yuka Ikenoya (YUKAI)
Reference Image: "Landmark Art Girl," 2020, Takara Bldg., Kandaogawa-machi, Tokyo. Photo by YUKAI
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Hogalee

Artist. Born in Kanagawa Prefecture. In 2001, Hogalee completed an MA in Design at Tokyo University of the Arts. Adopting the motif of women, which act as a mirror reflecting the contemporary age, he continues to create “onnanoko” (Girls) symbolized in manga line drawings. His activities include making canvas paintings that reference contemporary art contexts, and murals that transcend the notion of canvas as support. In addition to using acrylic paint, he is also developing works based on the concept of “restoring to an original state,” where murals made with masking tape are peeled away to return the space to its original condition. Solo exhibitions include Entanglement (Kana Kawanishi Gallery, Tokyo, 2022), Entanglement – Shinjuku III (Shinjuku 3-chome intersection, Tokyo, 2022), and Restitution (Ikejiri Institute of Design, Tokyo, 2014). Group exhibitions include Sekai wo Utsusu (Fujisawa City Art Space, Kanagawa, 2017), Trans Arts Tokyo (Kanda, 2017), and No Man’s Land (former French Embassy, 2009).

Suidobashi Area

Tokyo Dome City

Reference Image: "Painting Folding 2.0" 2022, NTT Inter Communication Center, Tokyo. Photo by Keizo Kioku
Reference Image: "For millennial future drawings. - Human, Artificial Intelligence and Artificial Life," 2024. Installation view at Tokyo Photographic Art Museum. Concept: Goro Murayama (Art)+Takashi Ikegami (Science); implementation: Altanative machine, Qosmo Inc.
Reference Image: "Generative drawing for Japanese paper house," 2019, Setouchi Triennale 2019, Ogi-Island, Kagawa. Photo by Keizo Kioku
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photo by vvpfoto

Goro Murayama

Born 1983, Tokyo. Ph.D. (Fine Art) Live and work in Tokyo. University of Tokyo, project Researcher. Murayama, who studied painting, explores the temporality and emergence of human acts of creation (poiesis) within the theoretical frameworks of biological systems and the philosophy of science.

As seen in his representative series Woven Paintings, Murayama expresses the processes and patterns of self-organization through his drawings and paintings. In recent years, Murayama has extended his artistic endeavors by collaborating with scientists on AI pattern recognition and generation. These collaborations aim to deepen human understanding of and sensitivity towards artificial intelligence.

Suidobashi Area

Tokyo Dome City