EXHIBITIONS
Painting-drawing
Venue
Suidobashi Area
Tokyo Dome City
Waterscape area between Meets Port and Tokyo Dome Hotel
1-3-61 Koraku, Bunkyo-ku
Date
Public Outdoor Exhibition
Free
Re-sortir, 2024, Tokyo Dome City. Photo by Yuka Ikenoya (YUKAI)
Adopting the motif of women, which act as a mirror reflecting the contemporary age, Hogalee is an artist who continues to create onnanoko (girls) symbolized using the method of comic line drawings. Under themes surrounding the female figure—often depicted as an embodiment of beauty in traditional genres like bijinga—he creates canvas paintings layered by references from contemporary art, and murals that transcend the notion of canvas as support.
Re-sortir (2024) is a wall art installation located along the waterscape area between the Meets Port complex and the Tokyo Dome Hotel within Tokyo Dome City. This work was realized as part of Tokyo Dome City’s landscape renewal plan, aimed at enhancing the space with art.
The massive wall art depicting three women appearing on the waterside wall evokes moments like a sunset captured in a commemorative photo or a tropical scene. At the same time, it functions as an installation that seems to extend beyond the staircase wall supporting it, which slopes diagonally forward. Furthermore, in terms of its relationship with viewers, it serves as landmark art that invites passersby heading toward their destination to deliberately choose a side path, drawing us in for repeated visits and lingering stays.
Corporate Partner: TOKYO DOME CORPORATION
* This exhibition is part of the Tokyo Dome City Art Project, launched in 2022 by Tokyo Dome, Tokyo University of the Arts, and its Art Creation Organization, aiming to explore the possibilities of Tokyo Dome City and art.
Map
5 min walk from JR Suidobashi Sta. (West/East Ex.)
5 min walk from Toei Mita Line Suidobashi Sta. (Ex. A2)
Artist. Born in Kanagawa Prefecture. In 2001, Hogalee completed an MA in Design at Tokyo University of the Arts. Adopting the motif of women, which act as a mirror reflecting the contemporary age, he continues to create “onnanoko” (Girls) symbolized in manga line drawings. His activities include making canvas paintings that reference contemporary art contexts, and murals that transcend the notion of canvas as support. In addition to using acrylic paint, he is also developing works based on the concept of “restoring to an original state,” where murals made with masking tape are peeled away to return the space to its original condition. Solo exhibitions include Entanglement (Kana Kawanishi Gallery, Tokyo, 2022), Entanglement – Shinjuku III (Shinjuku 3-chome intersection, Tokyo, 2022), and Restitution (Ikejiri Institute of Design, Tokyo, 2014). Group exhibitions include Sekai wo Utsusu (Fujisawa City Art Space, Kanagawa, 2017), Trans Arts Tokyo (Kanda, 2017), and No Man’s Land (former French Embassy, 2009).
Suidobashi Area
Tokyo Dome City